‘Everybody’s Live With John Mulaney’ marks Netflix’s dive into talk show realm

Live from Los Angeles, it’s John Mulaney.

The new comedian interview program premieres in Netflix on Wednesday night, marking the last impulse of the transmission giant in live broadcast. “Everybody’s Live with John Mulaney” will run weekly for 12 episodes with their first musician Joan Baez, actors Michael Keaton and Fred Armisen, and the columnist of personal finance of San Francisco Chronicle Jessica Roy.

Live programming has been a success for Netflix, but Mulaney enters the nightly scene at a time when larger shows have found a serious competition for the attention of a growing harvest of native internet voices that are increasingly going to television screens. The celebrities are still a pillar in interview programs, but It is so likely to generate bustling moments when they appear in popular podcasts as “Call Her Daddy” by Alex Cooper or “The Joe Rogan experience.”

The comedian seems flagship for the challenges of the night format.

“We will never be relevant,” Mulaney joked Reporters in the next in Netflix in January. “We will never be your news source. We will always be reckless. Netflix will always provide us with data that we will ignore. ”

The data for most Netflix live programming have been quite good. The platform was based on a large public for its first NFL games on Christmas Day (which presented a part -time show headed by Beyoncé), as well as its boxing combat promoted between Mike Tyson and Jake Paul. Last year, the live comedy special of six parts of Mulaney, “John Mulaney Present: Everybody’s in la” also proved to be a success for Netflix, helping to pave the way for the new unlimited series.

With your new interview program, there are few live The Netflix television formats have not tried.

“It was inevitable that Netflix was this,” said Robert Thompson, professor of television and pop culture at the University of Syracuse. “I think like anything else, transmission companies say: ‘We have made dramas very successful. We have made comedies. What happens to this other important genre, which is night comedy?

Others have already seen success. “The real time with Bill Maher” of HBO, for example, is now in its 23 season.

So that Netflix stands out, it is likely to need to experiment with the format, Thompson said.

The program has to “discover, how do we do this differently when people are not simply looking at 11:30 at night?” Thompson said. If Mulaney is successful, it can help transform the ancient family genre.

Having the Mulaney “Air” program only once a week is part of that effort.

As with “Everybody’s in la”, Mulaney plans to present a mixture of celebrities, comedians, experts and academics with their new program. Richard Kind will return as the partner and Mulaney’s master of ceremonies. Saymo, the “Everybody’s in la” delivery bot will also be presented. Mulaney said he will continue to receive calls from the spectators.

The transmission service has a long data relationship with Emmy Mulaney winner, who has had five of his standing specials. In recent years, the former writer of “Saturday Night Live” has become even more a family name, raising his comedy with frankness about getting sober; Fall in love with his now wife, Olivia Munn; and fatherhood. Mulaney serves as the presenter of the new interview program, Co-Showrunner and executive producer through his company, multiple camera productions.

Night programs have been a pillar for transmission networks to go back to many decades, but suffered decreases in the audience and advertising income in recent years. Some shows have reduced.

And although the Internet has eaten the relevance of night shows, they have also offered a new way of reaching people. Part of the success of the genre now occurs when it reuses the outstanding moments of the episodes for the Internet.

“Night television programs have survived because you can cut and dice, cut them and put them in the transmission,” Thompson said.

“We have had more than 60 years of real success with this type of programming,” added Thompson. “The transmission will have to adjust how we see it, but it looks like a mine too rich so as not to continue trying to get things out.”



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